In a unique story of ghost exorcisms, a down on his luck young man named Peach (Tay Tawan), and his little sister Pangpang (Jan Ployshompoo) meet an heir to a real estate company named Home (New Thitipoom), who thinks he can just sell all the assets his grandfather left him and move to America. Something the volunteer lawyer Kan (Mook Worranit) is supposed to help occur. But it becomes clear very quickly the “Get Rich Scheme” had a simple detail he wasn’t made aware of- the assets are all haunted. Because of the ghost issue, his millionaire dollar scheme has more than one hitch.

The brand-new series from GMMTV reunites TayNew in a hilarious romp as the fantastically shot series reveals slowly, it’s not just a comedy. As the quartet go from haunted location to haunted location, bringing peace to the restless spirits there in; a mysterious and tantalizing darker story seems to be under the laughter. As the family of the recently departed grandfather, Samai (Taem Charas) seem to be fully aware of the fates of the different locals that Home is trying to sell.

Whether it’s the fantastic acting from both the main actors and the side characters or the clever writing along with the brilliant TayNew chemistry that seems to be reviving the “Enemies to Lover’s” trope (They had down pack in “Kiss Me Again”), this series is a hit. Home has no idea what sort of life Peach and Pangpang have lived before he came into their lives. A fact that his uncle Somkid (Ong Kasab) makes sure Home is one hundred percent aware of after Home explains his intent to use the brother and sister to exorcise the ghosts. Peach’s original view of his new boss’s attitude towards respecting the dead (Home doesn’t to his disgust), or his own self (Home really doesn’t care about Peach at first); Peach just doesn’t like the man with any initial good reason.

Thanks to a script that doesn’t hold the viewers hand, you learn about the characters as you watch the series and come to find all of them endearing by the end of “Episode Three”. The make up art given to the ghosts never felt campy and didn’t shy away from the gore which I enjoyed immensely. Even the flashback stories explaining how they come to be dead felt well crafted, with a lovely soundtrack and unrushed scenes depicting the ghosts at a similar level of craft to the living.

I am curious to see how Samai came to own so many haunted properties and why. Also, what Somkid and the family lawyer Yai’s (Pu Kititipol) true intent is as they closely monitor Home’s progress. Only another ghost story will tell.

Rating- 5 out 5 (for making me want more)